Culture
Three Liverpool actors and how their lives have changed through lockdown
4 years ago
Lockdown brought the curtain down on many actorsā careers.
So, while they usually keep us entertained, we asked some of the cityās favourites how theyād entertained themselves through the pandemic and what they thought ā or hoped ā this year would have in storeā¦
Josh Bolt
Last Tango in Halifax and Benidorm actor Josh Bolt is feeling positive and looking forward to an end to lockdown.
āThe amount of stuff thatās in cold storage ready to be filmed is unbelievable and Iām hoping that it will soon get very busy,ā he smiles.
āThere will be an explosion of work and that will be unbelievable.ā
Such hope from the 26-year-old Halewood actor who appeared in the George Clooney Hulu drama, Catch 22, in 2019, is great to hear.
Because he admits that he has suffered through the crisis.
With the hit drama and a main role in the acclaimed Anthony Walker biopic by Jimmy McGovern ā he played Michael Barton ā Joshās career was in the ascendency.Ā
āI had a few things lined up for 2020 too,ā he adds. āAnd then everything stopped.
āIām not ashamed to say it affected me, and I have struggledĀ to cope through lockdown. Iāve been stuck in Halewood ā lovely though that is, with my family ā but you do you run and you Facetime your mates and family and then, with no work, you think what else am I going to do?Ā
āIāve had mental health battles in the past and I know others who have, and do, and itās hard for everything. I felt I achieved nothing last year.ā
The impact on peopleās mental health and the need to do something led Josh to launch a fundraising page and organise a climb up Ben Nevis in June with 95 other friends ā each one walking for the 96 who died at Hillsborough so it honours their memory too –Ā for three charities: The Whitechapel Centre, the YPAS (Young Personās Advisory Service) and the Scottish Association for Mental Health.
āIt gives us all a goal and a reason to stay active,ā he says.
And, once restrictions end and he can get back out to work, heāll be auditioning for more roles again.
āIt will be harder than ever,ā Josh admits. āApart from the elite 5% of actors, production companies will be able to have any actor they want, because we all want to get back to work and more people will be going for the same role.
āBut, already since the New Year, self-tapes have really started to pick up and it feels like everyone from actors to directors to producers is chomping at the bit and raring to go. Itās a case of sitting tight and spring/summer should see the start of things moving again.Ā
āBesides, people are running out of things to watch!ā
Lindzi Germain
Actress Lindzi Germain is always the one with a joke and a song to make everyone laugh and smile ā¦
But even āMersey Mouthā admits sheās been silenced by the latest lockdown.
āThis has been the hardest one for me,ā she says. āIt woke me up and made me realise even I canāt paint a smile on every day, and that itās okay for me not to be okay at times…ā
Mum-of-two Lindzi has been hit by the loss of close family and friends: āAnd not being able to comfort and see loved ones who are going through the worst time of their lives just breaks my heart,ā she says.
In the first lockdowns, Lindzi was the one who kept everyoneās spirits up, launching āWake and Shakeā exercises classes every weekday on Facebook and āStorytimeā every evening.
āInitially I did it for pupils of my dance and drama school, Totally U in Netherley, because I realised I wouldnāt see them and wanted to let them know āitās okay, weāve got thisā.
āBut I ended up with people joining me from all over the world.ā
While some work stopped – āweād just started Pete Price is dead, then that was pulledā ā and other productions postponed, Lindzi knew she had the Christmas Selection Box at the Royal Court, which gave her hope.
āStill, loads of us actors had to get other jobs to make ends meet. I was lucky Maureen Bramwell from Grand Central Hall called me up to ask if Iād compere a show for her in the gardens. She was just fantastic.ā
Lindzi is hopeful that two cancelled shows will return this year, Youāll Never Walk Alone in April, and Mam, Iām āEre in summer.
āItās hard but Iāve got work providing it can happen. I kept saying last year itād be fine, now I just keep asking please let there me some sort of lift so people can get back out and get to theatres safely. They miss being entertained, and we miss entertaining them.
āAgain, Iām lucky.Ā Iāve just done a voiceover job for a computer game, Iām back writing and Iām still auditioning.
āI tell myself weāll get there. This isnāt forever, and every day we are a step closer to getting out of this. Weāre all in the same boat ā and while for some the boat is big, some small, weāve got to ride the storm together.ā
Stephen Fletcher
There’s a pile of about 25 books in Stephen Fletcherās flat that have been on a āto readā list.
āAnd thankfully the āreadā list is now longer than the ones Iāve still got to read,ā smiles Stephen. āIāll stress that itās no worse than it is for anyone else but, as a creative, lockdown ā especially the latest one ā is like a holding time, being on edge and waiting for everything to open up again.
āThatās why Iāve been trying to do stuff that I havenāt done for so long ā like reading plays ā and getting my head around what Iād like to do when all this ends.ā
Among the contrasting books, or rather plays, heās read are John Osborneās Look Back in Anger and Talent by Victoria Wood, to texts by Willy Russell and Lorraine Hansberry.
āIām trying to use the time to further educate myself,ā says Stephen, āIāve been reading about the heritage of different venues in the city too, and itās interesting to see parallels between what audiences enjoyed after the Second World War and what they have enjoyed, and will enjoy, through and after lockdown, feel good stuff.
āI was reading about the artistic director of the Playhouse, William Armstrong, who wrote that while one play was on stage in 1939 (ironically about World War One) the actors heard the Echo seller saying Hitler had invaded Poland.
āThe cast members were all sent home, only to be recalled for a review show with all their party pieces to cheer people up – a bit like Selection Box at the Royal Court at Christmas,ā says Stephen about the show he wrote, directed and appeared in.
And Stephen has been professionally busy.
While Pete Price is Dead was halted by restrictions ā he hopes to bring it back in October ā Stephen raised Ā£20,000 with a crowdfunding campaign for a pop-up panto which is in the bag and waiting to be brought to life in schools, divided his flat with space for online lessons, and set up a studio for voiceovers.
āI did a web series, This Is Our Bev, with a view to turning it into a play, and I wrote half a play.
āThis year theyāre planning to bring Mam, Iām āEre back in the summer, Iām set to directĀ the Christmas show again at the Royal Court, and Iād like to work on developing shows that cater for all audiences in the city.
āAnd Iām hoping people will be gagging to get out and realise how much they have missed theatre.ā
Until then, Stephen is looking after himself after finding this latest lockdown, like everyone, a little harder.
āI like to think weāre hibernating, and Iām sorting myself out and doing the things I need to do.
āHow near we are to sitting next to someone with 1,000 people around us I donāt know but, slowly and surely, I hope weāre getting there.ā